Reality as an illusion
—when disembodied—
turns into a submission
to artifices as constructs
of illusion upon illusion upon soothing
“you will find me if you want me
in the garden unless…”
where the simulacra are formed
by those with control over their weights
then truth becomes a shaking of fists
but a setting seeding intention against fate
she loves me, she doesn’t, she loves me, she
“what the hell is he building in there…
he’s hiding from all the rest of us….”
are disconnects of intelligences
undoing interaction of flesh and senses
presenting enslavement as mesmerization
of feedback loops and reductions
to the digital reshuffling agents reassigning values
“happiness is…” poco allegro elongated
can liveliness, yes, in minor fifth’ed be canned
fire, wheel, electricity, one artifice for
kings thrown to dust by creative destruction
and yet dust holds one consistency:
absence of water with water stilling fire,
crackling electricity, conducting artifice
“no, it’s a body of water…
the monuments have been brought down to earth….”
as sediments and sounds of water
from the old pond swooshing,
water creaking, rushing, soothing,
water, whirling, sloshing, water drowning
becoming the overshot water wheel
“Se necesita mucha fortaleza
para levantar….”
bubbles pop as balances between
observations and constructions
distractions away from confident doubt
readily available to anyone
into the puppetry of the happy few
be they chords, be they hursts
Clickedeecklick dripping upwards
onto your sandy banks: immer mid stream
—animasuri’24
—-•
some triggers
Abou-Khalil, Rabih. (1992). Sahara. IN: Blue Camel.
van Beethoven, L., Pollini, M. ( ). 33 Variations in C Major, Opus 120 on a waltz by Diabelli: Variation II (Poco Allegro)
Einstürzende Neubauten. (1996). The Garden. IN: Ende Neu.
Garcia-fons, Renaud. (2010). Fortaleza. IN: Méditerranées
Fitzgerald, E., Pass, J. (1976). Nature Boy. IN: Fitzgerald and Pass…Again
Lhamo, Yungchen. (1998). Happiness is… IN: Coming Home.
Mingus, Charles. (1963). Myself when I’m Real. IN: Mingus Plays Piano.
Namchylak, Sainkho. (2016). So Strange! So Strange! IN: like a Bird or Spirit, not a Face.
Vito, Acconci. (2001). The Bristol Project.
Waits, Tom. (1999). What’s he Building? IN: Mule Variations.
