art blending

ART BLENDING.

DRAFT 1.09
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Spacetime

SPACETIME

imagine space yet to be lived in

Imagine a space
as that singular knowledge of void
that singular space void of knowledge

imagine space
lacking the confounds of memory
past minus birth
imagine that space
lacking beginning

Imagine a space
Imagine space
Lacking lines
yet, dimensional
formal minus demarcation
Imagine that space
that space I cannot obligate you to imagine

Imagine a space
imagine space
as a fraction of time
before a downpour
that nascent second
that threatening tipping
into torrential rain
imagine your space before
that defining moment

imagine space unrepeatedly flourished by pasts

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Who’s the Man? (poem)

 

Who’s the Man?

I am man in solitude; navigating in-between the hubris of corporate leaders’ arrogant deviations and perversions of enlightenment-to-be-nurtured. Yet, embracing the joy and loss-of-control amidst my young family

I am man in-the-know of institutionalized religion yet in awe of unshackled and de-personified spirituality; sparkling in the eyes of my sons

I am man in struggle with reason’s fragility in the claws of personal obsession and compulsion; their-in lies the true revolution of one, while in-tune with my surreal enjoyment of the liberating babbling of a child

I am man in acceptance of death yet in passionate struggle with social controls over mine; I announce as a long-term forecast, in optimism and reverence: the death of man; this man’s natural mortality. This man’s imagined perpetuity openly handed over to the guidance of next generations; of life.

I am a man yet with aspirations beyond my own identities—
perhaps rather and again, in-between them;  non-schizophrenically, lacking crisis inviting the sprouting of newly-born individualities.

I am a man in awe of modesty fallen flat-faced in the self-deceit of arrogance; a lionized version of my own delusions confronted by the naiveté of a young boy

I am a man as modernity’s irony at play with what came before and will evolve beyond it.
I aim resistance towards rigidity; most so my own and pointed out by youth.
I am in solitude copied multiple times, in holistic becoming within ecologies; clapping hands in a circular dance singing lalala and deedeedee.

I am in acceptance—of greeting the greater good; and bad—with open questions.
I am soul in love; solely with the other and striving with myself.
I am an ego in hatred with an other while endeavoring to let go.
I became, become and shall remain as dust amongst the other.
I am man in solitude in repetition; I am singularly dust in multitude;
I am quietly a father, smiling.

animasuri’13
Beijing, P.R. China

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Globalized Modernity?

Before posting the promised essay on Hadid’s Galaxy Soho, here in Beijing, China (see earlier entry on this blog) I realized I needed to explore a few theoretical points that have been creating very tangible and very practical effects over the centuries. ‘Modernity’ and ‘enlightenment‘ felt, amongst others, to be a few of those points. I am taking a course on the matter and the following tiny essay is the result of one of its assignments.  Besides the architectural context I aim to explore in the mentioned work on Galaxy Soho I sense enlightenment is also of acute interest within a globalized world and I share two reasons here for that.

The first is a to-me-yet-unanswered question whether with globalization the concept and the practical applications of modernity and enlightenment have been exported to “there” entirely; if these (modernity and enlightenment) existed or if these could be pinpointed in communities of origin to begin with. Another is whether one can speak of modernity and its associated enlightenment (with all its implied social, psychological, political and other consequences) within a Chinese or more specifically within a Beijing setting; my hometown for more than a decade and possibly more to come. The following writing is a baby step in exploring these within the framework of my course work for “The Modern and the Postmodern” lectured by Michael S. Roth from the Wesleyan University.

This short essay shall explore a main question and an extension thereof: “How did Kant define ‘Enlightenment?'” and extended onto this “is Marx an ‘enlightened figure’ when framed by the definition as provided by Kant?”

source: http://commons.wikimedia.org/wiki/File:Immanuel_Kant_%28portrait%29.jpg

source: http://upload.wikimedia.org/wikipedia/commons/f/f3/KantWasIstAufkl%C3%A4rung.png

In Kant‘s essay entitledAn Answer to the Question: ‘What is Enlightenment?’” one could superficially extract a definition from the opening line: enlightenment is “man’s emergence from his self-incurred immaturity.” Though, inevitably a second question is incubated asking what “self-incurred immaturity” refers to before the symptoms of “enlightenment” hatch. Kant sets forth to unveil the meaning of ‘immaturity.’ An understanding of its rather truistic opposite ‘maturity,’ and thus of being (or not being) ‘enlightened’—or of (not) being an “enlightened figure”—follows. From the text it can be deduced that someone who is ‘mature’ is an individual who possesses the intrinsic ability towards “understanding” without directions coming from an extrinsic actor or operator. Although an astute reader might make accurate guesses, such definition remains at a surface-level since that what can be ‘understood’ is, as such, not yet pointed out.

It is possibly not too far-fetched to state that ‘being enlightened’ and the associated necessity to ‘understand,’ can here be grasped as: ‘to be guided by intrinsic motions’ and thus to ‘understand intrinsic motions.’ ‘Motions’ denotes here “application for a rule or order…” (Oxford English Dictionary; OED) as an external judging body such as a ruler or a court would apply and impose. ‘Motions’ also implies ‘action’ or the “process of moving or being moved” (OED). Thus the “understanding” is exhibited when the enlightened citizen is intrinsically motivated to ‘act’ as opposed to manifest—as Kant judges in the opening of his second paragraph—”Laziness and cowardice…” This is opposed to being moved by external actors. Both judgements (laziness and cowardice) inevitably refer to degrees of passiveness, of submission, of non-acting, and perhaps—as Kant shares that men “gladly remain immature for life”— even of apathy; though this is an extrapolation from this author alone and perhaps somewhat beyond what Kant explicitly offers as opposing the definition of “enlightenment.”

The previous statement in regards to “motions” is in-tune with Kant’s development of his view on what ‘enlightenment’ gives birth to within a participatory citizen, as he states further in the essay’s seventh paragraph “…we need only ask whether a people could… impose… a law upon itself.” The emancipation from an externally imposing body (what Kant refers to as “alien guidance”) and following the birth of the capacity to evaluate and thus judge or simply “understand” to which extent a law (and motions) is a natural extension of the citizen from the point of view and from the experience of that same citizen. Contrary to such capacity is the submission to a law that potentially acts as a tool towards alienation. This is the case since a law that is unnatural to be self-imposed, is a law that estranges the citizen from the environment within which this alien law is active. The former as opposed to the latter makes a citizen an enlightened figure.

To enable the completion of this essay’s task it is essential to point here to a question Kant hints of: “if it is now asked whether we at present live in an enlightened age, the answer is: No, but we do live in an age of enlightenment.” This implies Kant forecasts his socio-political environment constitutes an age where enlightenment could be a “real reality” (Roth‘s lecture “From Enlightenment to Revolution” when referring to Marx). One can thus infer that the necessity of an actual tipping point is implied in the definition of “enlightenment” as a proper amount of ‘enlightened figures’ where parties sustain common motives, goals, laws and motions  (i.e. as opposed to the divergent ones as exhibited within the “Ugly Revolution” of June 1848 in France) would be needed to constitute an enlightened community or as Kant refers to an enlightened “common wealth” or a “cosmopolitan society,” hence constituting the definition of “enlightenment” as a larger social dynamic.

Therein lies the answer implied towards the second question whether or not Marx can—in a Kantian framework—be defined as an “enlightened figure.” Although certain revolutions preceded (i.e. a revolt in the late seventeen hundreds in France, another in the early 19th century that constituted Belgium, etc) the writings Marx and Engels’ authored, nevertheless they did anticipate revolutions. Though contrary to this “well-informed outlook”—which is synonymous to having an “understanding” and, as demarcated above, is a feature of being enlightened—the revolutions did not have the outcome as was hoped. This lead to disillusionment (= a maturing process) within Marx. It is clear from “Das Kapital,” that Marx shifted his attention towards laws, specifically those with economic alienating effects towards the citizen. Within this mere action one can unveil the citizen Marx in search of those (economic) laws that oppose “a people [whom] could… impose… a law upon itself;” a people who could ‘understand’ only as an ‘enlightened people;’ a quest Marx could only have made as an “enlightened figure” (in becoming) within his larger (yet-not-enlightened) social dynamics.

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Galaxy | territory | poetry

I am currently studying how to analyze Hadid’s Beijing Galaxy Soho building by using a framework distilled from Bachelard’s “The Poetics of Space.” Photographs have been made. The guiding text is being read. The essay is mentally being constructed. I hope to upload it here soon.

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Contemplations on Fluidity: Territorialization & The In-Between

I took the opportunity to contemplate further on fluidity (see the essay, Art Blending, above in this blog). For a few months I participated in a massive online course. A think tank exploring possibilities for the near-future city.  I adopted this context to poetically explore fluidity, but more specifically variations thereof, namely a loose interpretation of Deleuze’s “territorialization” and a poetic iteration with the “in-between” on Bhabha’s Location of Culture.

Here are three sequential texts that were created through this endeavor:

Territorize! (part 01)
Territorize! (part 02)
Territorize! (part 03)
Planned City
I Am City

(due to low resolution the images are not representative. Somewhat better versions are available via linkedIn or upon request)

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Copyright Mechanisms & Appropriation Art.

I had not visited the Internet Archive pages for a long time. For some reason I did so and was surprised that one of my older texts (this one is on various Copyright Mechanisms in relation to artistic methods of appropriation or “copying methods for artistic purposes”) had been downloaded for more than 200 times. Sure, in the larger scheme of global processes this is peanuts; still I find the number to be surprising. For those interested in it it is indeed still available here

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poem iii | NOW

NOW

Censors are game

Hunted by the unforeseeable
Shot down by imagination,
Skinned to the letter.

To the censors, language is tool.
To its open users, it is reality; un-codified
The censor’s line is sterile.

These lines here, include all that is not permitted;
unlicensed, unauthorized. They are vulgar, perhaps unpatriotic; can you smell it?

Now the hunter is the hunted
in the mind of the mediated
Libidinally liberated and lost in the soul of language.
Collect all this intensity of life
and bullet it into this period.

Hack this source and see our soul

animasuri’13
Beijing, January 2013
Ode to Gaston Bachelard &
The Southern Weekly (Nánfāngzhōumò); a Chinese newspaper.

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